The Gleeman
Site Copyright
All the traditional airs and song texts on this site are in
the public domain. These include the following:
- All the .png files of the scores for the traditional airs and
tunes.
- All the .txt files of the text for the traditional songs
and ballads.
- The site pages that display the traditional airs and texts, as
displayed and
printed (and which are marked as being in the public domain).
- The .midi files that were generated by for the traditional airs
by LilyPond.
- Those air arrangements and text compositions which,
although not as printed in the source material, I believe should be in
the public domain (and are marked as such).
The copyright of the following (of which there are currently none) has
yet to be determined:
- New creative arrangements for the airs and tunes, based on the
existing
public domain airs and tunes and not from any source.
- New creative composite editions for the texts, based on the
existing
public domain texts and not from any source.
The rest of the site is © Copyright 2005 J T Hallel. This includes
the following:
- The general content of the site, including the pages of
background information and discussion.
- The notes accompanying each of the traditional tunes and airs.
- The LilyPond .ly files used to typeset the scores for the airs.
Except for the LilyPond .ly files, all material copyright by J T Hallel
is licensed under the Creative Commons Attribution-ShareAlike
License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.0/uk/
or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford,
California 94305, USA.
The LilyPond .ly files copyright by J T Hallel are licensed under the
Creative Commons Attribution-NoDerivs
License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nd/2.0/uk/
or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford,
California 94305, USA.
(For more on the Creative Commons, see creativecommons.org).
Explanation for Site Copyright
All the traditional airs and songs are from sources out of copyright
and in the public domain. These are available to all. Indeed, it is the
purpose of this site to ensure that they are available to all while
remaining in the public domain.They can be downloaded, modified, used,
(and even published) without the need to ask permission of anyone.
The background information, and explanatory
notes have been produced to document the provenance of
these works, so users of the these works can be confident that they
are, indeed, in the public domain. I have maintained copyright on these
in order to ensure the integrity of this evidence. It as a mechanism
for mainitaining
trust in the site. That said, it is licensed under a Creative Commons Attribution-ShareAlike
License, so as long as the evidence is not distorded, please feel free
to use, amend and share. (It can even be used commercially).
The LilyPond files are licensed under the
Creative Commons Attribution-NoDerivs
License. Although they can be used and shared, they cannot be amended
or changed. The reason for this is that they are the source from which
the public domain .png scores and .midi sound files are generated. If
they are amended there is no guarantee that the resulting score or
sound file would be in the public domain! Additionally, the
Lilypond syntax can (and does) change, so I'll need to keep them
up-to-date. Secondly, I'll need to amend them to correct any
typesetting
errors that may occur.
That said, I am happy to reconsider this licensing regarding the .ly
files.
To ensure that what is public domain remains separate to what is
covered by copyright, I have tried to ensure that mixed (copyright and
public domain) content is kept to a minimum.. This is one of the
reasons that the notes are separate from the scores and texts. Where
there is mixed content, I have tried to indicate what is in the
public domain.
Should anyone have comments or suggestions on the site copyright,
please feel free to contact me.
What is Public Domain?
Disclaimer: I am not a lawyer,
and the following should not be taken as
legal advice. The following could also be wrong.
I feel I need to explain what I believe to be meant by the phrase
"public
domain".
Copyright laws vary from country to country. I am a Citizen of the
United Kingdom, and thus also an EU citizen. As copyright laws
have been harmonised
across the EU (on 1st January 1996), I have assumed that what is out of
copyrignt in the UK will be out of copyright in the EU. Thus, I
have tried to ensure that the texts used are out of
copyright in the UK.
I have also tried to ensure that the texts used are out of copyright in
the US. Being a non-US citzen, theoretically I could just keep to UK
and EU law
(where I am based and where this site is published). However, as I
want to make this site as useful to as many people as possible, I have
also taken US copyright law into account. In all fairness, many of the
major texts
referenced e.g. Child (1882-1898)CPB and Bronson (1959-1972)BTT were originally
published in the US, so it only seems fair to keep US copyright law in
mind.
As to other jurisdictions, I have assumed that if a work is
in the public domain in the UK (EU) and the US, it is likely to be in
the public domain elsewhere! I am not aware of anywhere else in the
world with longer copyright periods.
As to copyright law. In the UK, according to www.intellectual-property.gov.uk,
"Copyright in a literary, dramatic, musical or artistic work lasts for
the life of the author and 70 years from the end of the year in which
he/she died". US law is more convoluted, as there have been a number of
amendments extending copyright period. However, these have not been
retroactively applied, so the length of copyright depends on the
original copyright date. According to www.copyright.gov,
before 1978 copyright was for 28 years from date of publication (or
registration, if not published), renewable for another 28 years (in the
28th year). For those works in copyright on 1st January 1978, this was
extended through a series of acts, but only
for those works
in copyright at that time (as the laws wasn't
retroactive). This means that works published up to
the end of 1922 in the US are now in the public domain (in the US).
However, those works published in 1923 and beyond won't enter the
public domain until 2019! (See this en.wikipedia.org
entry for more information).
This Site and the Public Domain
I have tried to ensure that the texts and airs are out of copyright
by
trying to ensure that:
- The texts used as source material (as opposed to reference
material) have been published, and the editions used were
published before 1923.
- The author(s) of these texts have been dead for at least 70 years
before 1st
January of the current year (i.e. before 1935 for 2005).
- I have used only original source material as source texts.
Facsimile copies have not been used, and will not be used as sources
(unless themselves published before 1923).
- All source material is owned by me, and readily available to me.
It is thus available for inspection should my sources be challenged!
In the Bibliography
page of this site, as far as possible, I have tried to recorded both
the dates of the editions used,
and the dates the authors died (as well as the date they were born - it
seemed respectful to record both). Although texts in copyright are
listed, they have not been used as direct sources - I have only used
them as
reference works. All the texts and all the airs are only taken from
those works in (or believed to be in) the
public domain (although they may also be in the
other works). In the notes linked with each public domain air/song
transcribed, I have recorded my source for that air/song. I will also
keep any "corrections" or amendments to a minimum. Where amendments or
changes are made, they most likely to be (i) to transcribe only the
voice part of a melody, leaving out any accompanying arrangement, (ii)
to add lyrics to the score (if possible) based on the accompanying
text), (iii) minor typsesetting changes for the score, for instance
line breaks may be different than in the original. I will try and
indicate where such amendments have been made.
Despite my attempts to only publish traditional songs and tunes in the
public domain, should anyone note any copyright infringement that I
have made, please let me know, and, assuming that copyright has indeed
been infringed, I will remove the offending material. Additionally, if
I have inadvertently added copyright to material that should be in the
public domain (e.g. through typography), please let me know.
For further information on the public domain, see this en.wikipedia.org
article.
Arrangements and Composite Versions
At some point, I may attempt to create re-arrangements of airs and
tunes, or
attempt to
create a "composite" text (based on a number of texts). This may be
tempting where there are a large number of variants, each with slightly
different wording, none of which satisfies me (as an individual). Or
for airs where I may wish to add accompanyment. Should I do so (and I
feel
this would be fully in keeping with the "folk" tradition), I will
indicate as such, and will keep such arrangements and compositions
separate from that material which is known to be public domain. (Such
arranegements and compositite creations may be themselves released in
the public domain. However, there is always the distinct possibility
that someone else may have re-created the same composition and added
copyright! The certainty of the work being in the public domain is not
there).
Where re-arrangements are more a matter of simple editing rather than
creation, and where the result (I believe) should be in the public
domain, I will indicated as such.
In Conclusion
I realise the above is rather convoluted. I hope it makes sense. It is
a rather long winded way of saying; you can do what you like with the
material on this site that is in the public domain, and you can also
use the rest of the material on this site under a Creative Commons
license. If you feel the wording could be improved, or have any other
useful comments to make, let me know.